ACCESS VIRUS RACK XL OS5 91DistortionPDF VERSION - RESTRICTIONS APPLYIn the signal path. the filter is located at the out-put of the pre-delay. This means that the filteralso influences pre-delay feedback (REVERBFEEDBACK, see below) when you use this pa-rameter.011111111111111111121 REVERBColor -10≤61111111111111111154REVERB CLOCKWhen you set it to OFF, the absolute predelaytime is determined in milliseconds. If you selecta note value, then the predelay time is set to thevalue of this note. The absolute length of thisnote value depends on the value entered toCLOCK TEMPO in the global clock generator(refer to this section). In this case, the absolutepredelay time in milliseconds is ignored.011111111111111111121 REVERBClock Off≤61111111111111111154REVERB OUTPUT SELECTHere you can select the external or internal out-put for the REVERB section.011111111111111111121 REVERBOutSel Out1+2≤61111111111111111154 DISTORTIONTYPEHere’s a rundown on the various DISTORTIONmodes:- OFF The signal is not processed.- LIGHT, SOFT, MIDDLE, HARD Different an-alog distortion curves with different charac-teristics and intensities.- DIGITAL Digital distortion with hard clipping.- SHAPER Sine characteristic curve with sev-eral wave cycles. With the Shaper, you candrastically warp signals. In some cases, theresults are similar to the spectra of linear fre-quency modulations.- RECTIFIER Continuous rectification of thesignal; this type of distortion is independentof the given level.- BITREDUCER Continuous reduction of thedigital signal’s bit depth; generates digitalquantization noise.- RATEREDUCER Continuous reduction ofthe digital sampling rate; generates digitalaliasing.- LOWPASS 1-pole low-pass filter for moder-ate processing of high frequencies.- HIGHPASS 1-pole high-pass filter for mod-erate processing of low frequencies.011111111111111111121 DISTORTIONType Light≤61111111111111111154