Nady Audio DIGICOMP 16 Owner's Manual
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1216’s dynamic process algorithm also includes a stereo Automatic Gain"block" that, if used, is able to maintain almost stable the mean amplitudeal, increasing it when the "average"of the input signal amplitudes seemsecreasing it when the "average" of the input signal amplitude seems to berocess is useful when the sound reaching the input of the DigiComp 16 isferent sources having different output levels and it is necessary tothe input level of the DigiComp 16 to obtain better performance from thes operating as "second block" of the algorithm.peed: This parameter represents the speed at which the signal isnd the Expander Threshold. This occurs only if the Max value is differentr Speed: This parameter represents the speed at which the signal isce it goes beyond the Compressor Threshold. This occurs only if the Mint from 0dB.hreshold: This is the threshold beyond which the signal is expanded.r Threshold: This is the threshold beyond which the signal isold: When this threshold is crossed by the signal level, coming from thegion, the compression coefficient is maintained steady. When thethe expansion region, the expansion coefficient is kept the same.the maximum expansion ratio between input and output in the expansionthe maximum compression ratio between input and output in thegion. The AGC = Const. areas are regions in which the multiplyinge assumes the last calculated before crossing the different thresholds, son area the COEF AGC value is increasing, while in the compression areavalue is decreasing.9c. Compression Process BypassAt any time you can bypass the process, thereby allowing the direct signal to passthrough the DigiComp 16 unchanged. This can be done in two ways:• By pressing the BYPASS switch (3)• By connecting a footswitch to the BYPASS jack (9) and pressing the footswitch. On theback panel you will find a footswitch jack labelled BYPASS. This is a mono jack withconnections for a standard footswitch. The footswitch must be plugged in before theDigiComp 16 has its power turned on — the DigiComp 16 will automatically recognizethe right “polarity” of the pedal.Installationa. Standard UseThe DigiComp 16 may be placed anywhere — on a table, on top of an amp, next to amixing console. If it will be on furniture, use the rubber feet provided for the bottom of theunit. Make sure to place the unit’s power supply away from other audio equipment thatmay induce fields, and away from the signal wiring. It is possible that the DigiComp 16may pick up noise fields generated by other equipment such as a large power amplifier.In this case, move the unit until the noise goes away.b. Application ExamplesLine Instrument — When connecting audio cables and/or turning power on and off, makesure that all devices in your system have their volume controls turned down. TheDigiComp 16 has two 1/4” unbalanced inputs and two 1/4” unbalanced outputs. Thisinput/output configuration may provide three different audio connection options:From Instrument orEffect SendTo Mixing or AmplifierConsole• MonoConnect an audio cable to the LEFT INPUT (12) of the DigiComp 16 from a monosource, and another audio cable from the LEFT OUTPUT (10) of the DigiComp 16 to anamplification system or mixer input.Preset Functionset 1/23/03 12:50 PM Page 18 |
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