-18-9 -3-60 0-6-9 -3-1.5-00 -00dBdBCR 5PROFESSIONAL AUDIO AMPLIFIERPROFESSIONAL AUDIO AMPLIFIERLIMITERPEAKAVERAGEMODESTEREOMONOBRIDGEWhen Operating This Product, Ensure That There is Adequate Ventilationon All Sides of the Chassis! Refer to Owner's Manual for Details*CLIP / PROTECT LE DFlashing = CLIPPING or LIMITIN GOn = PROTECT MODE**see Owner's Manual for DetailsCH A CH BCH A CH BGNDAMP INPUTS230V50Hz1.8A120VAC60Hz3.5ALR 21877INPUT TERMINAL STRIP WIRING CIRCUIT BREAKERPUSH TO RESETBalanced UnbalancedGND GND123123GAIN CONTROLSCH BCH ACH BCH A SPEAKER OUTPUTSBRIDGEMono or Stereo BridgeDESIGNED AND MANUFACTURED BY YORKVILLE SOUND • TORONTO, CANADA-1.5 -18IntroductionYour new CR5 power amplifier is designed and built to provide years of trouble free performance. The CR5 iscapable of powering studio monitors quietly (with ultra quiet passive cooling) as well as sound reinforcementloudspeakers (plenty of headroom under the hood). Like all Yorkville Sound amplifiers, it is designed to be rug-ged and reliable in all applications. The limiter has two modes of operation which maintains the clairity of mid-range signals, but also provides thumping bass notes. Generous output current capability along with low distor-tion and high headroom performance guarantee the sonic integrity of the CR5 power amplifier.Since the CR5 has been designed and manufactured by Yorkville Sound, each unit undergoes rigorous QualityAssurance tests. Each circuit is tested by sophisticated computer controlled equipment (which is capable of identify-ing any deviation from the design center parameters). The final tests include a temperature cycled burn-in period.InputsUnbalanced InputsThe Combi-jack and terminal strip can be used to connect an unbalanced signal to the CR5. Follow the direc-tions in figure 2 & 3 for the various unbalanced connections. If possible, always use balanced cables as they willreduce the possibility of noise entering the sound system. If unbalanced cables must be used keep the length ofthe cable as short as possible to minimize the amount of noise entering the sound system.