“16” = 4th note triplet MIDI Clock Sync.“18” = 8th note dotted MIDI Clock Sync.“24” = 4th note MIDI Clock Sync.“32” = 2nd note triplet MIDI Clock Sync.“36” = 4th note dotted MIDI Clock Sync.“48” = 2nd note MIDI Clock Sync.“72” = 2nd note dotted MIDI Clock Sync.“96” = 1 measure.“97” = 2 measures.“98” = 3 measures.“99” = 4 measures.When in the range “-7” to “ 7” the LFO will sync to LFO 1 and will follow any changes in speed of LFO 1. In this case the“Speed” Rotary for LFO 2 will have no effect. Note also that LFO 1 can be synced to MIDI Clock so then LFO 2 will be aswell. In this case the “Speed” Rotary for LFO 1 and 2 will have no effect. When this parameter is in the range of “02” to “99”the LFO is synced to incoming MIDI Clock. If this is the case and the Super Bass Station does not receive MIDI Clock theLFO’s will appear to be stuck / not functioning. A lot of software sequencers default to NOT transmitting MIDI Clock. If theLFO is stuck / not functioning and you have it in MIDI Clock sync, the sequencer is not sending MIDI Clock. There is noother reason.NOTE: The LFO’s will take approximately 1 to 2 beats to “lock in” to the MIDI clock so always allow for this in yoursequence. i.e. insert a blank “count in” period at the beginning of a track.NOTE: Both LFO’s can be synced to MIDI Clock at different signatures.This parameter is memorised with the program.Data Entry/ProgramUtilities/MIDI Clock48