QSC TouchMix-30 Pro User Manual

Also see for TouchMix-16: User guide Technical notes User guide Self-Guided Tour Quick start guides

Contents

QSC TouchMix-30 Pro User Manual Manual pdf 22 page image

131001108-01-CTouch the Tuning Wizard button to go to the Room Tuning Wizard screen.Anti-Feedback TabAnti-Feedback Wizard and Manual operationThe Anti-Feedback system automatically identifies and displays suspected feedback frequencies. When a suspected feedback frequency isidentified, a single touch applies a filter at that frequency. In addition a Feedback Wizard can assist in finding and cutting feedback-pronefrequencies.Limiter TabDisplays the limiter and its controls. We strongly encourage the use of the limiter for In Ear Monitors.Auxes Tab (TouchMix-30 Pro only)The Main L/R outputs may be returned to Auxiliary mixes 1 – 14. Auxiliary mixes 9 -14 may be returned to Auxiliary mixes 1 – 8. Refer to "PatchMatrix (TouchMix-30 Pro only)" on page 21 for more information.Presets TabPreset save/recallThis tab offers a Factory Preset named Reset that returns all output control parameters to their factory values. In addition, any settings you makecan be stored to and recalled from either internal or external (USB) memory.The Preset Tab also includes factory voicings for QSC E-Series and K.2 Series loudspeakers. These settings are also available for QSC PLD and GXDamplifiers. The E-Series voicings are intended for use with other amplifiers that lack DSP. An “X” suffix after the preset name indicates the presetis intended for use with a sub-woofer. Do not use the mixer presets and the PLD or GXD voicings together – your E-Series speakers will not soundtwice as good.Setup TabThe Setup Tab includes the following utility functions for the output.Rename Joe’s MonitorAux Touch the field to enter a name for the output (not available on Main output).Linking Link This Links odd-to-even pairs of auxiliary mixes to create a stereo mix.DelayDelay is most commonly used for remote fill speakers. The objective is to set the delay so thatthe sound from the primary system arrives at the listeners ears just slightly (20 – 30 msec)ahead of the sound from the fill system. When done correctly, the listeners perceive the soundas coming from the primary system even though most of what they hear is from the fill speakers.In venues with very deep stages, the engineer will sometimes delay the house system so thatit time aligns with the back-line. In other words, set up the system so that the sound from theactual kick drum and the reinforced kick drum arrive at the listeners’ ears at the same time. TheAnti-FeedbackLimiterAuxesPresetsSetup55.048.916.8InfeetmsmetersUnitsDelay