Omnia-6ex Use and Operation Manual – V: 1.2013Menu Selections, continuedSystem 45Port Baud 45Security Lev(el) 45Backlight 46Set Time 46Set Date 46About 46Change Password 46Lock Unit 47Reset Passwords to Defaults 47Load Defaults 47Load From Card 47Save To Card 47Reboot System 47Security Config 47NTP 48Network 49Mac Address 49IP Address 49Gateway 49Subnet Mask 49Save Changes 49Reboot Display 49Test Broadcast 493 - THE OMNIA-6EX: AUDIOPROCESSING OVERVIEWProcess Block Diagram 50Wideband AGC 51Phase Linear Crossovers 51Five Band AGC 51Enhancer Section 51Deep Bass EQ 52Phat Bass EQ 52Warmth EQ 52Stereo Expander 52Multiband Dynamic Peak Limiter 52Distortion Canceled Clipper 52Look Ahead Limiter 53Stereo Generator / Encoder 53Composite Clipper 53Pilot Protection Filter 534 - PROCESSOR INTERFACINGProcessor Location 54Analog STL Use 54Digital STL Use 55Monitoring Location 55Processor Location, continuedSource Material Quality 55Studio Microphone Processing 55Processor Latency / Time Delay 56Operating Levels 56Omnia-6EX Connections 57Output Connection Options (FM Mode) 57Omnia-6EX Connections, continuedInterfacing with a Digital STL/ Exciter(FM Mode) 57Pre-emphasis – where to insert?(FM Mode) 58Output Connection Options (HD Mode) 59AES-2 Output Sample Rate Settings 605 - FINE TUNING YOUR SOUNDAbout Loudness and Listener Fatigue 61Clarifying your Processing Objectives 61Adjustment Procedure 62Meter Displays 63AGC Metering 63Limiter Metering 63Interpreting the Meters 64About Factory Presets 65Loading a Preset 66Parameter Editing 67Adjusting the Wideband AGC 68Adjusting AGC Crossovers 69Adjusting Multiband AGC's 70Adjusting the AGC Mixer 71Adjusting The Enhancers 72Adjusting the Limiters Crossover 73Adjusting the Multiband Limiters 74Adjusting the Final Mixer (Lim Mix) 75Adjusting the Clippers(FM Mode) 76Adjusting the Look Ahead Limiter(HD Mode) 77Saving, Naming, Deleting and ProtectingPresets 79Saving Presets 79Renaming and Deleting Presets 80Protecting Presets 80Passcode 81Getting the Sound You Want 82A Word About Loudness 82Quality versus Loudness 82