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Native Instruments MASCHINE Manual

Also see for Maschine: Manual Reference manualGetting started guideGetting startedManual

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Contents
  1. Table Of Contents
  2. Table Of Contents
  3. Table Of Contents
  4. Table Of Contents
  5. Table Of Contents
  6. Table Of Contents
  7. Table Of Contents
  8. Table Of Contents
  9. Table Of Contents
  10. Table Of Contents
  11. Table Of Contents
  12. Table Of Contents
  13. Table Of Contents
  14. Table Of Contents
  15. Table Of Contents
  16. Table Of Contents
  17. Table Of Contents
  18. Table Of Contents
  19. Table Of Contents
  20. Table Of Contents
  21. Table Of Contents
  22. Welcome to MASCHINE
  23. Document Conventions
  24. New Features in MASCHINE 2.7
  25. Basic Concepts
  26. Adjusting the MASCHINE User Interface
  27. Switching between Ideas View and Arranger View
  28. Showing/Hiding the Browser
  29. Minimizing the Mixer
  30. Common Operations
  31. Pinning a Mode on the Controller
  32. Undo/Redo
  33. Focusing on a Group or a Sound
  34. Switching Between the Master, Group, and Sound Level
  35. in the Control Area
  36. Extended Navigate Mode on Your Controller
  37. Using Two or More Hardware Controllers
  38. Native Kontrol Standard
  39. Stand‐Alone and Plug‐in Mode
  40. Switching Instances
  41. Controlling Various Instances with Different Controllers
  42. Preferences – General
  43. Preferences – Audio
  44. Preferences – MIDI
  45. Preferences – Default
  46. metronome settings
  47. Preferences – Library
  48. Preferences – Plug‐ins
  49. Preferences – Hardware
  50. Preferences – Colors
  51. Integrating MASCHINE into a MIDI Setup
  52. Connecting External MIDI Equipment
  53. Sync to External MIDI Clock
  54. Send MIDI Clock
  55. Connecting to a Network
  56. Browser Basics
  57. Browsing the Library vs. Browsing Your Hard Disks
  58. Searching and Loading Files from the Library
  59. Browser
  60. Bank
  61. Bank on the Controller
  62. Selecting a File Type
  63. Choosing Between Factory and User Content
  64. Performing a Text Search
  65. Loading a File from the Result List
  66. Additional Browsing Tools
  67. Loading the Selected Files Automatically
  68. Auditioning Instrument Presets
  69. Auditioning Samples
  70. Loading Groups with Patterns
  71. Loading Groups with Routing
  72. Using Favorites in the Browser
  73. Editing the Files' Tags and Properties
  74. The BANK
  75. The PROPERTIES
  76. Loading and Importing Files from Your File System
  77. Using Favorites
  78. Using the Location Bar
  79. Navigating to Recent Locations
  80. Importing Files to the MASCHINE Library
  81. Locating Missing Samples
  82. Using Quick Browse
  83. Overview of the Sounds, Groups, and Master
  84. The Sound, Group, and Master Channels
  85. Similarities and Differences in Handling Sounds and Groups
  86. Selecting Multiple Sounds or Groups
  87. Managing Sounds
  88. Loading Sounds
  89. Pre‐listening to Sounds
  90. Renaming Sound Slots
  91. Changing the Sound's Color
  92. Saving Sounds
  93. Copying and Pasting Sounds
  94. Moving Sounds
  95. Resetting Sound Slots
  96. Managing Groups
  97. Creating Groups
  98. Loading Groups
  99. Renaming Groups
  100. Changing the Group's Color
  101. Saving Groups
  102. Copying and Pasting Groups
  103. Reordering Groups
  104. Deleting Groups
  105. Exporting MASCHINE Objects and Audio
  106. Saving a Group with its Samples
  107. Saving a Project with its Samples
  108. Exporting Audio
  109. Importing Third‐Party File Formats
  110. Importing MPC Programs to Groups
  111. Adjusting the Pads
  112. Choosing a Pad Input Mode
  113. Adjusting the Base Key
  114. Using Choke Groups
  115. Using Link Groups
  116. Adjusting the Key, Choke, and Link Parameters for Multiple Sounds
  117. Playing Tools
  118. Choke All Notes
  119. Groove
  120. Level, Tempo, Tune, and Groove Shortcuts on Your Controller
  121. Performance Features
  122. Selecting a Scale and Creating Chords
  123. Scale and Chord Parameters
  124. Creating Arpeggios and Repeated Notes
  125. Swing on Note Repeat / Arp Output
  126. Creating a Lock Snapshot
  127. Updating a Lock Snapshot
  128. Morphing Between Lock Snapshots
  129. Triggering Lock Snapshots via MIDI
  130. Plug‐in Overview
  131. First Plug‐in Slot of Sounds: Choosing the Sound's Role
  132. preset management
  133. Browser Plug‐in Slot Selection
  134. Adjusting the Plug‐in Parameters
  135. Bypassing Plug‐in Slots
  136. Using Side‐Chain
  137. Alternative: the Plug‐in Strip
  138. Saving Plug‐in Presets
  139. Recalling Plug‐in Presets
  140. The Sampler Plug‐in
  141. Page 1: Voice Settings / Engine
  142. Page 2: Pitch / Envelope
  143. Page 3: FX / Filter
  144. Page 4: Modulation
  145. Page 5: LFO
  146. Page 6: Velocity / Modwheel
  147. Using Native Instruments and External Plug‐ins
  148. Opening/Closing Plug‐in Windows
  149. Using the VST/AU Plug‐in Parameters
  150. Setting Up Your Own Parameter
  151. Using VST/AU Plug‐in Presets
  152. Multiple‐Output Plug‐ins and Multitimbral Plug‐ins
  153. Using the Audio Plug-in
  154. Loading a Loop into the Audio Plug‐in
  155. Using Loop Mode
  156. Using Gate Mode
  157. Using the Drumsynths
  158. Engines: Many Different Drums per Drumsynth
  159. Shared Parameters
  160. Pitch Range, Tuning, and MIDI Notes
  161. Kick – Sub
  162. Kick – Tronic
  163. Kick – Dusty
  164. Kick – Grit
  165. Kick – Rasper
  166. Kick – Snappy
  167. Kick – Bold
  168. Kick – Maple
  169. Kick – Push
  170. The Snares
  171. Snare – Volt
  172. Snare – Bit
  173. Snare – Pow
  174. Snare – Sharp
  175. Snare – Airy
  176. Snare – Vintage
  177. Snare – Chrome
  178. Snare – Iron
  179. Snare – Clap
  180. Snare – Breaker
  181. The Hi‐hats
  182. Hi‐hat – Silver
  183. Hi‐hat – Circuit
  184. Hi‐hat – Memory
  185. Hi‐hat – Hybrid
  186. Creating a Pattern with Closed and Open Hi‐hats
  187. The Toms
  188. Tom – Tronic
  189. Tom – Fractal
  190. Tom – Floor
  191. Tom – High
  192. The Percussions
  193. Percussion – Fractal
  194. Percussion – Kettle
  195. Percussion – Shaker
  196. The Cymbals
  197. Cymbal – Crash
  198. Cymbal – Ride
  199. Using the Bass Synth
  200. Parameter Organization
  201. Bass Synth Parameters
  202. Working with Patterns
  203. Navigating the Event Area
  204. Following the Playback Position in the Pattern
  205. Jumping to Another Playback Position in the Pattern
  206. Group View and Keyboard View
  207. Adjusting the Arrange Grid and the Pattern Length
  208. Adjusting the Step Grid and the Nudge Grid
  209. Recording Patterns in Real Time
  210. The Record Prepare Mode
  211. Using the Metronome
  212. Recording with Count‐in
  213. Quantizing while Recording
  214. Recording Patterns with the Step Sequencer
  215. Editing Events in Step Mode
  216. Recording Modulation in Step Mode
  217. Editing Events
  218. Creating Events/Notes
  219. Selecting Events/Notes
  220. Editing Selected Events/Notes
  221. Deleting Events/Notes
  222. Cut, Copy, and Paste Events/Notes
  223. Quantizing Events/Notes
  224. Quantization While Playing
  225. Doubling a Pattern
  226. Recording and Editing Modulation
  227. Which Parameters Are Modulatable
  228. Recording Modulation
  229. Creating and Editing Modulation in the Control Lane
  230. Creating MIDI Tracks from Scratch in MASCHINE
  231. Managing Patterns
  232. Selecting Patterns and Pattern Banks
  233. Creating Patterns
  234. Deleting Patterns
  235. Creating and Deleting Pattern Banks
  236. Naming Patterns
  237. Changing the Pattern's Color
  238. Duplicating, Copying, and Pasting Patterns
  239. Moving Patterns
  240. Adjusting Pattern Length in Fine Increments
  241. Importing/Exporting Audio and MIDI to/from Patterns
  242. Exporting MIDI from Patterns
  243. Importing MIDI to Patterns
  244. Audio Routing, Remote Control, and Macro Controls
  245. Sending External Audio to Sounds
  246. Configuring the Main Output of Sounds and Groups
  247. Setting Up Auxiliary Outputs for Sounds and Groups
  248. Configuring the Master and Cue Outputs of MASCHINE
  249. Mono Audio Inputs
  250. Configuring External Inputs for Sounds in Mix View
  251. Configuring External Inputs for Sounds in MASCHINE
  252. Triggering Sounds via MIDI Notes
  253. Triggering Scenes via MIDI
  254. Controlling Parameters via MIDI and Host Automation
  255. Selecting VST/AU Plug‐in Presets via MIDI Program Change
  256. Creating Custom Sets of Parameters with the Macro Controls
  257. Macro Control Overview
  258. Controlling Your Mix
  259. Mix View Elements
  260. The Mixer
  261. Displaying Groups vs. Displaying Sounds
  262. Adjusting the Mixer Layout
  263. Selecting Channel Strips
  264. Managing Your Channels in the Mixer
  265. Adjusting Settings in the Channel Strips
  266. Using the Cue Bus
  267. The Plug‐in Chain
  268. The Plug‐in Strip
  269. The Plug‐in Header
  270. Panels for Drumsynths and Internal Effects
  271. Panel for the Sampler
  272. Custom Panels for Native Instruments Plug‐ins
  273. Controlling Your Mix from the Controller
  274. Using Effects
  275. Other Operations on Effects
  276. Using the Side‐Chain Input
  277. Applying Effects to External Audio
  278. Step 2: Set up a Sound to Receive the External Input
  279. Step 3: Load an Effect to Process an Input
  280. Creating a Send Effect
  281. Step 2: Route Audio to the Send Effect
  282. A Few Notes on Send Effects
  283. Creating Multi‐Effects
  284. Effect Reference
  285. Dynamics
  286. Gate
  287. Transient Master
  288. Limiter
  289. Maximizer
  290. Filtering Effects
  291. Filter
  292. Cabinet
  293. Modulation Effects
  294. Flanger
  295. Freq Shifter
  296. Phaser
  297. Spatial and Reverb Effects
  298. Metaverb
  299. Reflex
  300. Reverb (Legacy)
  301. Reverb
  302. Reverb Hall
  303. Plate Reverb
  304. Delays
  305. Grain Delay
  306. Grain Stretch
  307. Resochord
  308. Distortion Effects
  309. Lofi
  310. Saturator
  311. Analog Distortion
  312. Perform FX
  313. Burst Echo
  314. Reso Echo
  315. Ring
  316. Stutter
  317. Tremolo
  318. Scratcher
  319. Working with the Arranger
  320. Navigating the Arranger
  321. Following the Playback Position in Your Project
  322. Jumping to Other Sections
  323. Using Ideas View
  324. Scene Overview
  325. Creating Scenes
  326. Assigning and Removing Patterns
  327. Selecting Scenes
  328. Deleting Scenes
  329. Creating and Deleting Scene Banks
  330. Clearing Scenes
  331. Duplicating Scenes
  332. Reordering Scenes
  333. Making Scenes Unique
  334. Appending Scenes to Arrangement
  335. Naming Scenes
  336. Changing the Color of a Scene
  337. Using Arranger View
  338. Creating Sections
  339. Assigning a Scene to a Section
  340. Reorganizing Sections
  341. Adjusting the Length of a Section
  342. Adjusting the Length of a Section Using the Software
  343. Adjusting the Length of a Section Using the Controller
  344. Duplicating Sections
  345. Making Sections Unique
  346. Removing Sections
  347. Renaming Scenes
  348. Clearing Sections
  349. Creating and Deleting Section Banks
  350. Looping
  351. Setting the Loop Range Using the Controller
  352. Jumping to another Playback Position in Your Project
  353. Triggering Sections or Scenes via MIDI
  354. The Arrange Grid
  355. Quick Grid
  356. Sampling and Sample Mapping
  357. Recording a Sample
  358. Selecting the Source and the Recording Mode
  359. Arming, Starting, and Stopping the Recording
  360. Checking Your Recordings
  361. Location and Name of Your Recorded Samples
  362. Using the Edit
  363. Audio Editing Functions
  364. Slicing a Sample
  365. Opening the Slice
  366. Adjusting the Slicing Settings
  367. Live Slicing
  368. Live Slicing Using MASCHINE
  369. Manually Adjusting Your Slices
  370. Applying the Slicing
  371. Mapping Samples to Zones
  372. Zone Page Overview
  373. Selecting and Managing Zones in the Zone List
  374. Selecting and Editing Zones in the Map View
  375. Editing Zones in the Sample View
  376. Adjusting the Zone Settings
  377. Adding Samples to the Sample Map
  378. Appendix: Tips for Playing Live
  379. Consider Using a Limiter on Your Master
  380. Use Scene Mode and Tweak the Loop Range
  381. Special Tricks
  382. Troubleshooting
  383. Registration Support
  384. Glossary
  385. control area
  386. insert effect
  387. mute and solo
  388. Index
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This manual is suitable for:
Maschine
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